Tag: restaurant reviews

  • Are Tasting Menus Worth It? What Iโ€™ve Learned Paying for My Own

    Are Tasting Menus Worth It? What Iโ€™ve Learned Paying for My Own

    โ€œAre Tasting Menus Worth It?โ€ banner with Richard Jarockiโ€™s logo, four city skylines, plated dishes and a truffle box.

    I love tasting menus. That does not mean I think you should always order one.

    I have planned trips around restaurant reservations, tried things I never expected to eat, and spent amounts on dinner that would make plenty of people question my judgment. Fair enough. Sometimes I question it myself.

    Are tasting menus worth it? For me, yesโ€”with conditions. The food has to be memorable, the hospitality has to make you comfortable, and the evening has to justify the money and time. That includes your money, your time, and the other things you could have done on that trip.

    An expensive dinner does not get a good review from me simply because I paid for it.

    Are Tasting Menus Worth It? At a Glance

    Worth considering whenโ€ฆThink twice whenโ€ฆ
    You are curious about the chefโ€™s cooking and willing to try unfamiliar dishes.You only want one or two specific dishes.
    Dinner is one of the experiences you are traveling for.You have limited time or other plans you care about more.
    The full cost fits your budgetโ€”or your research convinces you it is an experience you are willing to go into debt for.The pairing and supplements would push the bill beyond what you want to spend.
    Everyone at the table wants a long meal.Someone feels dragged into an expensive commitment.
    You enjoy letting the kitchen choose the sequence.You would rather control the portions, pace, and order.

    My rule: book the tasting menu because you want that experience. A famous name alone is not enough.

    How Sรฃo Paulo Brought Me Back to Tasting Menus

    This interest started years before the trips I write about now. I used to frequent Harvest in Closter, New Jersey, and those tasting menus helped open my palate. I enjoyed letting the kitchen introduce me to things I might not have ordered myself.

    Then life happened. That part of my life slowed down.

    On my first trip to Sรฃo Paulo, the omakase at Kazuo and the tasting menu at Evvai brought the urge back. I wanted to try more, learn more, and find out what another kitchen could show me.

    Since then, it has become part of how I live. I research restaurants, plan trips around meals, and come home thinking about the next experience.

    It is also part of what gets me to work every day. The next dollar, euro, real, or whatever currency I need for the next tasting menu or omakase has a purpose. I am working toward something I am excited to experience.

    What Am I Actually Paying For?

    Tasting Menu vs. ร€ La Carte: What Are You Paying For?

    If I measured every meal by the amount of food on the table, I would make very different reservations.

    A tasting menu gives a kitchen the chance to introduce its cooking through a sequence of dishes. At its best, that means trying combinations I would never think to order, seeing ingredients used in unfamiliar ways, and enjoying a dinner that develops as it goes along.

    That is the appeal for me. I can order something familiar almost anywhere. When I commit to a tasting menu, I want the restaurant to give me a reason to hand over those decisions.

    But I still want dinner to taste good.

    An explanation can make a dish more interesting. It cannot make me enjoy a bite I do not want to eat again. Beautiful plates and elaborate presentations are welcome, but the food has to carry its part of the evening.

    Tasting Menus Changed What I Eat

    This is probably the strongest argument I can make for them: tasting menus have changed what I enjoy eating.

    Because of these meals, I have eaten guinea pig, pigโ€™s face, pigโ€™s brains, snails, and sea snails. I have eaten pigeon multiple times. I started eating eel and discovered that I actually enjoy it. At Metzi and D.O.M., I ate insects, too.

    I found my love of uni. Truffles and caviar have become very close friends of mine. Expensive friends, admittedly.

    And then there are beans. I do not like beans. Yet Evvaiโ€™s take on feijoada was amazing.

    That is what makes handing over some control worthwhile. Left to my own decisions, I might have read an ingredient, decided it was not for me, and ordered something familiar. A tasting menu puts a different preparation in front of me and gives me a reason to reconsider.

    I am not going to pretend I loved every unfamiliar thing I have ever eaten. But I would have missed foods I now enjoy if I had only ordered what I already knew I liked.

    Sometimes the value of a dinner follows you into the next restaurant. You see eel or uni on another menu, and this time you are excited to order it.

    It also works with food I already know. Disfrutar served me familiar flavors in forms I barely recognizedโ€”unexpected shapes, textures, and presentations that made me look twice before taking a bite. Evvai and Mont Bar have done that, too.

    I enjoy the moment when what I am looking at and what I am tasting do not quite match my expectations. When it works, I get to rediscover something familiar. The unusual form gets my attention; the flavor is what makes me want another bite.

    Sometimes Dinner Teaches You About the Place

    Tasting menus have also helped me understand where I am traveling.

    D.O.M. and Tuju taught me about Brazilโ€™s ecosystems through their food. Those meals gave me more to think about than whether I liked an individual course. They made me curious about the places and environments behind the ingredients.

    At Tuju, I had the Chuva, or Rain, menu, and at D.O.M. I had Quando a Onรงa Bebe รguaโ€”โ€œWhen the Jaguar Drinks Water.โ€ Both used the meal to tell me something about Brazil beyond what was on the plate. That is what I remember most. I wasn’t just eating dinner; I was learning something about the place I was visiting.

    At Dos Pebrots in Barcelona, dinner became an introduction to Catalan gastronomic history. I was learning about the food of a place while actually tasting it.

    Maido did that for me in Peru. So did Astrid y Gastรณn, although that meal was ร  la carte. It was my first day in Peru, and yes, I overordered. Apparently, arriving in a new country makes me want to start tasting as much of it as possible immediately.

    That is an important distinction: a tasting menu is one way to learn about a place through food. My ร  la carte meal at Astrid y Gastรณn gave me that kind of introduction, too. What matters is the cooking, the people explaining it, and my willingness to try something unfamiliar.

    And the experience does not have to stop at food. At Carnaval, a cocktail tasting menu also introduced me to Peru through what was in the glass. They made me custom cocktails with Don Julio 1942, too, and seemed just as happy to crack open that bottle as I was to see what they would make with it.

    The custom drinks were another part of the eveningโ€”the kind of personal interaction that makes a bar stay with me long after the last sip.

    That matters to me because food is a big part of why I travel. I want to come home with more than photographs of attractive plates. I want to understand something I did not understand before I sat down.

    An explanation still has to connect to food I enjoy eating. But when a restaurant gets both right, I leave with a memory of the meal and a better understanding of the destination. That adds something to the value of the evening that counting courses never will.

    Mont Bar: When the Whole Evening Comes Together

    Mont Bar in Barcelona is one of my clearest examples of a tasting menu earning its place in a trip.

    I loved the smoked tuna belly with pine nut emulsion and the warm mochi with sobrasada and Mahรณn cheese. The mushroom course with mushroom ice cream and white miso gave me something unfamiliar that I actually wanted to eat.

    The wine pairing added discoveries, and the room felt lively and welcoming. After dinner, the team made me a complimentary custom cocktail to enjoy outside.

    I paid for my meal; that final drink was a gesture from the restaurant. It stayed with me because it felt personal.

    Mont Bar remains one of my five best meals. The reason is the combination: food, wine, people, and how comfortable I felt spending the evening there.

    Oiji Mi: The Dessert I Thought I Was Getting

    Three opening bites from the Oiji Mi tasting menu, including seafood, caviar and seasonal vegetables.Galbi course served with vegetables and sauce during the tasting menu at Oiji Mi in New York City.Oiji Bowl at Oiji Mi with uni, salmon roe, cucumber and raw seafood.Chamoe Bingsu at Oiji Mi with Korean melon, honey, oat crumble and cashew.OKSUSU dessert at Oiji Mi with grilled corn, dulce de leche and sesame.
    Three opening bites from the Oiji Mi tasting menu, including seafood, caviar and seasonal vegetables.Galbi course served with vegetables and sauce during the tasting menu at Oiji Mi in New York City.Oiji Bowl at Oiji Mi with uni, salmon roe, cucumber and raw seafood.Chamoe Bingsu at Oiji Mi with Korean melon, honey, oat crumble and cashew.OKSUSU dessert at Oiji Mi with grilled corn, dulce de leche and sesame.
    Three opening bites from the Oiji Mi tasting menu, including seafood, caviar and seasonal vegetables.Galbi course served with vegetables and sauce during the tasting menu at Oiji Mi in New York City.Oiji Bowl at Oiji Mi with uni, salmon roe, cucumber and raw seafood.Chamoe Bingsu at Oiji Mi with Korean melon, honey, oat crumble and cashew.OKSUSU dessert at Oiji Mi with grilled corn, dulce de leche and sesame.
    Three opening bites from the Oiji Mi tasting menu, including seafood, caviar and seasonal vegetables.Galbi course served with vegetables and sauce during the tasting menu at Oiji Mi in New York City.Oiji Bowl at Oiji Mi with uni, salmon roe, cucumber and raw seafood.Chamoe Bingsu at Oiji Mi with Korean melon, honey, oat crumble and cashew.OKSUSU dessert at Oiji Mi with grilled corn, dulce de leche and sesame.
    Three opening bites from the Oiji Mi tasting menu, including seafood, caviar and seasonal vegetables.Galbi course served with vegetables and sauce during the tasting menu at Oiji Mi in New York City.Oiji Bowl at Oiji Mi with uni, salmon roe, cucumber and raw seafood.Chamoe Bingsu at Oiji Mi with Korean melon, honey, oat crumble and cashew.OKSUSU dessert at Oiji Mi with grilled corn, dulce de leche and sesame.
    Three opening bites from the Oiji Mi tasting menu, including seafood, caviar and seasonal vegetables.Galbi course served with vegetables and sauce during the tasting menu at Oiji Mi in New York City.Oiji Bowl at Oiji Mi with uni, salmon roe, cucumber and raw seafood.Chamoe Bingsu at Oiji Mi with Korean melon, honey, oat crumble and cashew.OKSUSU dessert at Oiji Mi with grilled corn, dulce de leche and sesame.

    At Oiji Mi in New York, the first course was amazing. The Oiji Bowl gave me some of the best uni I have eaten, and the beef tartare and scallop were other favorites.

    But one of the most memorable moments came at dessert.

    My dining partner told me I would have to finish hers. That sounded like an arrangement I could work with.

    Then I looked up to get another piece, and her plate was empty. She had finished it herself.

    Apparently, I was no longer needed.

    We had arrived after a long day without much appetite, yet the food kept giving us reasons to carry on. I can describe ingredients and presentation, but someone going from โ€œyouโ€™ll have to finish mineโ€ to leaving nothing for me says quite a lot about that dessert.

    Those are the details that make a meal stay with me. The first bite, a standout dish, and the moment across the table that still makes me laugh afterward.

    You Do Not Need the Most Expensive Version

    At Viaggioโ€™s chefโ€™s counter, the pasta and the interaction with Chef Rabbit gave the experience its value. The ravioli, oxtail tortellini, and spaghetti were central to what I enjoyed.

    That is a useful reminder when planning a food-focused trip: a memorable meal does not have to be the most famous reservation available.

    Look at what interests you. It might be pasta, a particular chefโ€™s approach, a regional cuisine, or the chance to sit at a counter and watch the kitchen work.

    Start there. The price should be something you evaluate after finding a reason to go.

    Check Whether You Actually Have a Choice

    Before you decide between a tasting menu and ร  la carte, check whether the restaurant offers both. Some restaurants only serve a tasting menu. You cannot assume you can sit down, skip the full experience, and order the two dishes you saw online.

    Research that before you book. Read the restaurantโ€™s current menu and reservation terms, check whether different dining rooms or counters offer different formats, and ask if anything is unclear. Confirm dietary restrictions and substitutions ahead of time, too.

    If it is tasting-menu-only, the decision is whether you want that experience at all. There is nothing wrong with choosing another restaurant if you do not.

    That is especially important when booking for other people. Everyone should know what kind of meal they are agreeing to, how long it is likely to take, and what it is likely to cost.

    I Overorder. The Rest of the Table Knows It.

    Even when ร  la carte is available, I am not exactly the person who orders two sensible dishes and hands back the menu.

    There can be just two of us, and I still want to try far more food than we need. I see another dish that sounds interesting, then another, and suddenly a normal dinner has become a much bigger project.

    I enjoy that. I want to taste things, compare them, and find out whether the dish I almost skipped ends up being the best thing on the table.

    But I have also seen the faces.

    Friends, family, friends of friends. I start ordering, and there is a look that says, โ€œWait. Are we splitting this equally?โ€ Followed pretty closely by, โ€œWhat the hell is an oyster with pearls?โ€

    That is my interpretation of the look, but the concern is fair. I may be thinking about what I want to try. Someone else may be calculating their share of a dinner that just got a lot more expensive without anyone asking them.

    My enthusiasm is not an agreement from everyone else to fund it.

    Before ordering half the menu, the table needs to agree on what we are sharing, roughly what we want to spend, and how we are splitting the bill. If I want something extra that nobody else wants, I need to make clear that it is my extraโ€”not quietly add it to everybodyโ€™s equal share.

    A tasting menu can make the base food cost clearer because everyone knows the price ahead of time. Pairings, drinks, and supplements still need a conversation. One personโ€™s enthusiasm for an upgrade does not make it a group decision.

    Does Everyone Need the Biggest Dinner Possible?

    No. Not even when I am tempted to order it.

    If ร  la carte is available and the dishes you are most excited about can be ordered that way, choose those dishes. Share something else if everyone wants to. Leave room for dessertโ€”or another stop later.

    A long tasting menu works much better when everyone actually wants to be there. If one person wants an evening built around dinner and another wants to eat and explore the city, settle that before booking.

    I would rather have a table full of people enjoying the meal than a table full of people wondering how expensive my next sentence is going to be.

    Is the Wine Pairing Worth It? I Usually Skip It.

    When Is a Wine Pairing Worth It?

    I love a tasting menu, but I usually skip the wine pairing and order a few drinks instead. I like being able to drink at my own pace.

    Sometimes I want to stay with a cocktail I am enjoying. Sometimes I want a glass of wine without another selection arriving with the next course. I do not always want my drinking to follow the kitchenโ€™s schedule.

    There is also how I feel afterward. In the United States and South America, wine pairings have usually left me with a hangover and sometimes what feels like acid reflux. With the pairings I have had in Europe, that has not been my experience.

    That is an observation about my own meals, not proof that European wine prevents either problem. I cannot tell you whether the difference was the wines, quantities, pacing, food, or something else.

    Mont Bar helped change how open I was to pairings. That experience encouraged me to order them at Disfrutar and Dos Pebrots, too. It also introduced me to Spanish wines I would now order independently from a wine list.

    That is value I can take into another meal. I am learning what I enjoy, instead of needing someone to choose for me every time.

    On my European trips, particularly in Spain, I have also noticed a different rhythm around drinking: wine with the meal, and cocktails often before or afterward. It felt different from the way I tend to drink when dining in the United States. That is how those particular evenings unfolded for me, rather than a rule for everyone in Europe.

    I still usually prefer choosing a few drinks and enjoying them at my own pace. But after Mont Bar, I am more willing to consider what a thoughtful pairing might add.

    You can commit to the food experience without committing to every drink offered alongside it.

    Supplements: If They Make Sense, Go for It

    If a supplement sounds interesting and the extra cost seems reasonable for what it adds, I am usually inclined to go for it.

    I am already there because I want to experience the cooking. If there is a dish I am particularly curious about, I do not want to skip it automatically just because it costs extra.

    The question is what the upgrade actually gives me.

    Is it a different dish or an ingredient that makes the preparation more appealing? Or is it mostly an excuse to sell me caviar or shave truffles over something?

    I love both. We have established that. But even close friends do not need to show up at every course.

    Give me a reason to want the supplement beyond the name of an expensive ingredient, and a price that makes sense to me, and I will happily consider it.

    Judge the Full Bill Before You Book

    Is a Tasting Menu Worth the Money?

    The advertised menu price is where I start. I also check drinks, supplements, any booking charges, and how tax and service are handled at that restaurant.

    Then I ask a more useful question: would I still choose this dinner at the total I am realistically going to spend?

    That number matters much more than the lowest price shown on the menu.

    So does the time involved. On a short trip, one long dinner occupies an evening you could spend somewhere else. Sometimes that reservation is exactly why I traveled. Other times, a shorter meal leaves room for more of the city.

    I am also not going to pretend I only book experiences when the money is comfortably sitting there. Sometimes, after doing the research, I decide a meal or experience is worth going into debt for. That is a personal decision about what matters to me, not a rule I expect anyone else to follow.

    The question is whether I want that experience enough to accept the full costโ€”including the interest if I carry a balance. I want to make that decision before I book, with a clear understanding of what I am committing to.

    Service Is Part of What I Am Buying

    When I book a tasting menu, I want to know about every dish I am served. Tell me what the ingredients are, where they come from, and why they belong together. Tell me the backstory: what inspired the dish, what it means to the chef, and how it connects to the place I am visiting.

    I want that conversation. I ask questions because I am interested, and those answers can become as memorable as the food itself.

    If I am eating something unfamiliar, I want to understand it. If a familiar ingredient arrives in a form I barely recognize, I want to know how the kitchen got there. And if a dish draws on a tradition or a childhood memory, I want to hear that story while I am tasting it.

    That is part of what I am paying for. The explanation gives me something to think about, and the conversation makes the experience personal.

    I also want something to take home. Give me the menu, the dish cards, the little pieces of the experience I can look through afterward. I photograph plenty, but I love having something that helps me remember what I ate and the stories that came with it.

    Evvaiโ€™s pop-art cards are exactly the kind of detail I mean. They gave me an explanation and description of the dishes, along with a sense of what inspired their creation. I could connect what I was tasting to the idea behind it, then take that reminder home.

    The artwork added to the fun. The cards made the explanations something I wanted to keep, and they gave me another way to revisit the meal afterward. MICHELIN notes that the accompanying illustrations are drawn by chef Luiz Filipe Souza himself, which makes them feel even more connected to the person creating the food.

    Thank you, Luiz Filipe.

    Those details matter when I get home and try to explain why a meal stayed with me. A card can bring back a dish, its inspiration, and the conversation around it in a way that a photograph of the plate alone might not.

    At D.O.M., I even bought one of their napkins to take home. Alex Atalaโ€™s punk-rock background connected with me because I was once a punk rocker, too.

    So yes, I went out for a tasting menu and bought a napkin. Completely unnecessary? Probably. But that little connection turned it into a souvenir I wanted to keep.

    The same goes for the drinks. Evvai and Disfrutar have both made me custom cocktails. Those moments made me feel special because someone took the time to make a drink for me.

    At The Modern, I loved the drink I was having so much that I never asked for a custom one. Sometimes finding something you want to order again is enough.

    For me, great service means sharing that enthusiasm. I want to feel comfortable asking questions, hear the stories behind the cooking, and leave knowing more than I did when I arrived. That is a big part of whether I want to return.

    Why Travel for Food When I Live in New York?

    People ask me this, and I understand the question.

    I live in New York. I love the food scene here. Within reach of home, I can find an extraordinary range of cuisines, prices, and acclaimed restaurants. I do not have to board a plane to eat well.

    But when I travel for a meal, I am also traveling for the people, the place, and the culture around it.

    Learning about Brazil at a table in Sรฃo Paulo, exploring Catalan food history in Barcelona, or arriving in Peru and immediately ordering too much at Astrid y Gastรณn gives the food a different context. The conversations, the surroundings, and everything I experience before and after dinner become part of the memory.

    I can love New Yorkโ€™s restaurants and still want to experience those things where they happen. That is why the journey is worth it to me.

    Would I Pay for It Again?

    That is the question I trust most after dinner.

    So, are tasting menus worth it? I judge that by whether I would pay for the experience againโ€”not by how famous the restaurant is.

    Would I choose this restaurant again, knowing the full cost? Would I recommend it to someone who had saved for one special meal? Can I explain what made it worth doing beyond its reputation?

    Sometimes a tasting menu introduces me to food, wine, and people I will remember for years. Sometimes ordering a few dishes is exactly enough. And sometimes I order far too many. We have covered that.

    Harvest helped open my palate. Kazuo and Evvai brought that curiosity back. The meals since then have kept giving me reasons to follow it.

    This has become part of my lifestyle and something that gives me drive. There is another table I want to sit at, another place I want to understand, and another experience worth working toward.

    That is why I keep going to work, earning the money, doing the research, and making the reservation.

    Completely unnecessary. Absolutely worth it. When the restaurant earns it.

    What is the most you have spent on dinnerโ€”and, knowing what you know now, would you pay for it again? Tell me in the comments.

  • Oiji Mi Review: A Modern Korean Tasting Menu Worth Saving Room For

    Oiji Mi Review: A Modern Korean Tasting Menu Worth Saving Room For

    Oiji Mi tasting menu dishes featuring the Oiji Bowl, sea bass, galbi and Korean appetizers in New York City.


    Oiji Mi Review: After attending a Formula 1 rooftop party at 9:00 in the morning and a World Cup rooftop party at 3:00 that afternoon, I arrived at Oiji Mi facing an unusual problem: I already felt completely full.

    I had been eating and drinking throughout the day. Canceling dinner briefly crossed my mind, but I had been looking forward to this reservation and did not want to miss it. My dining partner and I sat down wondering how we would possibly finish a five-course tasting menu.

    Somehow, we ate everything.

    That may be the strongest endorsement I can give Oiji Mi. We arrived without much appetite, yet the kitchen kept placing food in front of us that we genuinely wanted to finish.

    Oiji Mi earned a Michelin star in the 2022 New York guide and continues to be recognized for its polished, modern approach to Korean fine dining.

    Oiji Mi Review: Modern Korean Dining in the Flatiron District

    Located at 17 West 19th Street in Manhattanโ€™s Flatiron District, Oiji Mi describes itself as a contemporary Korean restaurant created specifically for New York City.

    Owner and Executive Chef Brian Kim takes recognizable Korean ingredients and preparations and presents them through the structure and precision of a modern tasting menu. The cooking is polished and ambitious, but its Korean identity remains clear.

    The restaurant itself feels refined without becoming cold. Warm wood, softly illuminated lanterns, pink banquettes and carefully selected tableware give the dining room a sense of occasion. It is sophisticated enough for a celebration but comfortable enough to let the evening unfold naturally.

    At the time of our visit, the five-course prix-fixe menu was $150 per person, with optional supplements. The restaurantโ€™s current online menu lists the experience at $155, so dishes and prices may change.

    A Meal That Began with Caviar

    We added the caviar donuts before the tasting officially began.

    These were small fried pastries topped with crรจme fraรฎche, caviar and chives. The contrast worked immediately: a warm, crisp exterior, a soft center, cool cream and the clean salinity of the roe.

    They were playful, luxurious and easy to eat. More importantly, they established the tone for the rest of the evening. Oiji Mi uses premium ingredients, but the kitchen does not treat them as museum pieces. The food is meant to be enjoyed.

    Oiji Mi Review: Three Introductions to the Kitchen

    Three opening bites from Oiji Miโ€™s modern Korean tasting menu served in brass bowls.
    Oiji Miโ€™s beautifully presented trio of opening bites.

    The first course arrived as a trio: spotted prawn, beef tartare and gyeran jjim.

    Spotted Prawn

    The spotted prawn was served in a shell with a gochujang panna cotta, pearl rice and a bright accompanying sauce. The presentation was delicate, but the flavors had enough acidity and spice to keep the dish from becoming overly sweet.

    It was a light beginning and a smart way to wake up an appetite I was not sure I still had.

    Beef Tartare

    The beef tartare was one of my favorite dishes of the entire dinner.

    The beef delivered the expected richness, but pickled radish and caviar gave the dish contrast. The acidity of the radish cut through the meat, while the caviar brought salinity without dominating the plate.

    This was technically polished food that still tasted satisfying. It did not disappear under unnecessary decoration or technique. The kitchen understood that excellent beef should remain the focus.

    Gyeran Jjim

    Gyeran jjim is traditionally a comforting Korean steamed-egg dish. Oiji Miโ€™s version elevated that familiarity with king crab, anchovy and roe.

    It was soft, warm and deeply savory, with the seafood adding layers of sweetness and salinity. Of the three opening preparations, this was the most comfortingโ€”a refined interpretation of something that still felt rooted in home cooking.

    Together, the three dishes introduced Oiji Miโ€™s point of view: recognizable Korean flavors presented with fine-dining precision.

    Scallop and Spicy BBQ Squid

    For the second course, we chose two different preparations so we could try both sides of the kitchenโ€™s approach.

    Scallop

    The scallop was another highlight of the night.

    It arrived beautifully seared, with a deeply caramelized exterior protecting a tender center. The scallopโ€™s natural sweetness remained intact, while the sauce and accompanying vegetables added richness and an earthy edge.

    A restaurant can surround a scallop with expensive ingredients and complicated technique, but none of that matters if the scallop itself is overcooked. This one was handled properly.

    Along with the beef tartare, it was one of the best dishes before the meal reached its undeniable high point.

    Spicy BBQ Squid

    The spicy barbecue squid offered a more assertive counterpoint. It arrived beneath a generous layer of greens, with heat and sweetness working underneath.

    The dish showed another side of the kitchen. Where the scallop was controlled and delicate, the squid leaned into char, spice and stronger seasoning. Ordering both allowed us to see how comfortably Oiji Mi moves between restraint and intensity.

    The Oiji Bowl

    Oiji Bowl with uni, spotted prawn, ikura and spicy cucumber at Oiji Mi in New York City.
    The signature Oiji Bowl with uni, spotted prawn, ikura and spicy cucumber.

    Then came my favorite course of the evening.

    The Oiji Bowl combined sea urchin, spotted prawn, eel, ikura, cucumber, oiji and seasoned rice. It carried an additional charge, but this was not a supplement included merely to make the menu appear more luxurious.

    It was the dish I kept thinking about after dinner.

    The uni was exceptionalโ€”some of the best I have ever eaten. It was clean, sweet and creamy, without the metallic or bitter finish that can ruin lesser sea urchin.

    The spotted prawn added another kind of sweetness. The eel brought richness and depth, while the ikura supplied small bursts of salinity. Cucumber and pickled elements provided freshness, and the seasoned rice gave the ingredients a foundation without competing with them.

    There were many expensive components in the bowl, but it never tasted like a pile of luxury ingredients assembled for social media. Everything had a purpose.

    Even though I had been eating and drinking since early that morning, I finished every bite.

    The Oiji Bowl was not simply the most indulgent course. It was the most complete.

    The Oiji Bowlโ€”and That Uni

    Staff told us that Oiji Mi is one of New York Cityโ€™s largest buyers of uni. I could not independently confirm that claim, but after seeingโ€”and tastingโ€”the Oiji Bowl, it was easy to believe.

    The bowl arrived loaded with exceptionally fresh uni, spotted prawn, ikura, cucumber and seasoned rice. The uni was clean, sweet and luxuriously creamy, without the bitter or metallic finish that lesser-quality uni can have. It was easily some of the best I have eaten.

    At a $35 supplement, the Oiji Bowl was not inexpensive, but it was the clearest standout of the meal and the course I would order again without hesitation.

    Sea Bass and Galbi

    The fourth course moved the tasting into heavier territory with sea bass and galbi.

    Sea Bass

    The sea bass arrived with octopus, crispy rice and a truffle-scented seafood broth.

    The fish had a crisp, properly rendered skin and a moist interior. Crispy rice added texture, while the broth gave the dish depth. The octopus made it feel substantial enough to serve as a main course rather than another delicate seafood tasting.

    Truffle and seafood can compete if the kitchen is not careful. Here, the broth connected the components and allowed the fish to remain central.

    Galbi

    The galbi was sliced to reveal a beautifully pink center and served with a smooth pommes purรฉe, dark vegetables and jus.

    This was the richer of the two main courses. The beef was cooked with precision, and the sauce provided the savory finish the course needed after several seafood-forward plates.

    By this point in the evening, I had no logical reason to still be eating. Neither did my dining partner.

    We finished it anyway.

    Chamoe Bingsu and Oksusu

    Dessert continued the restaurantโ€™s practice of using familiar Korean ingredients in polished, contemporary ways.

    Chamoe Bingsu

    The chamoe bingsu was built around Korean melon, honey-oat crumble and cashew.

    After the richness of the Oiji Bowl and galbi, the cool shaved ice and fresh melon were welcome. The crumble was served separately, allowing us to add texture without losing the lightness that made the dessert work.

    It was refreshing without feeling like an obligatory palate cleanser.

    Oksusu

    The oksusu dessert explored grilled corn with dulce de leche and sesame.

    Cornโ€™s natural sweetness made it an easy fit for dessert, while the toasted flavors gave the plate more depth than a conventional sweet ending. The presentation separated the components, encouraging us to combine the creamy, crisp, sweet and savory elements in each bite.

    The two desserts approached the finish from opposite directions: one cool and refreshing, the other richer and more roasted.

    Cocktails and the Dining Room

    Oiji Miโ€™s beverage program follows the same creative approach as the food. The cocktail list incorporates ingredients such as makgeolli, soju, bokbunja, omija, yuja and shiso alongside spirits and techniques associated with contemporary cocktail bars.

    The drinks look playful, but the menu is clearly serious about structure and balance. Oiji Mi also offers wine pairings and nonalcoholic options for the tasting menu.

    Visually, the dining room occupies an appealing middle ground between a formal tasting-menu restaurant and an energetic Manhattan night out. The lantern-like lighting and warm color palette make the room feel elegant, while the open layout keeps it from becoming stiff or overly ceremonial.

    Service

    The service was excellent from beginning to end. The staff was polished, attentive and knowledgeable without making the experience feel stiff. Courses were paced well, each dish was clearly explained, and the team made the tasting menu feel welcoming rather than overly formal.

    Oiji Mi Review: The Verdict

    We arrived at Oiji Mi after a Formula 1 party, a World Cup party and an entire day of eating and drinking. Neither of us was hungry when the first course reached the table, yet we both finished everything.

    That does not happen because a restaurant is fashionable, expensive or beautifully designed. It happens because the kitchen understands pacing and knows how to keep each course distinct enough to renew your interest in the meal.

    The beef tartare was rich, balanced and precise. The scallop was beautifully cooked. The sea bass and galbi gave the tasting enough substance to feel complete, while the two desserts ended the evening from entirely different directions.

    But the Oiji Bowl was the reason this meal became memorable.

    The combination of sea urchin, spotted prawn, eel, ikura and seasoned rice could easily have become excessive. Instead, it was focused, balanced and genuinely delicious. The uni alone ranked among the best I have ever tasted.

    Oiji Mi presents Korean food through the language of a modern New York tasting menu, but the cooking does not lose its identity in the process. Technique supports the ingredients rather than replacing them.

    Would I order the Oiji Bowl again? Without hesitation.

    Would I return to Oiji Mi? The fact that I am still thinking about that uni answers the question.

    Oiji Mi Restaurant Information

    Address: 17 West 19th Street, New York, NY 10011

    Cuisine: Contemporary Korean

    Format: Five-course prix-fixe menu in the main dining room; ร  la carte service in the bar and lounge

    Website: oijimi.com

    Reservations: Strongly recommended

    Price during our visit: $150 per person before supplements, drinks, tax and gratuity

    Current listed price: $155 per person before supplements, drinks, tax and gratuity

    Oiji Mi Review

    Oiji Mi Review

    Oiji Mi Review

    Oiji Mi Review

    Oiji Mi Review

    Oiji Mi Review

    Oiji Mi Review

    Oiji Mi Review

    Oiji Mi Review

  • The Modern NYC Review: Is MoMAโ€™s Two-Michelin-Star Restaurant Worth It?

    The Modern NYC Review: Is MoMAโ€™s Two-Michelin-Star Restaurant Worth It?

    The Modern NYC Review: Inside a two-Michelin-starred meal beside MoMA, where caviar, truffles, sculptural platesโ€”and one very strange spoonโ€”made fine dining feel less formal than expected.

    The Modern NYC review collage with tasting-menu dishes, black-truffle service and a tequila Old-Fashioned

    Location: 9 West 53rd Street, beside the Museum of Modern Art in Midtown Manhattan

    Cuisine: Contemporary American fine dining

    Price during my visit: The tasting menu cost $275 per person. The Discovery wine pairing was $195, the Reserve pairing was $350, and the black-truffle risotto supplement was $50. Prices and menus may have changed.

    Standout dishes: Eggs on Eggs on Eggs, lobster with shiso and radish, black-truffle risotto, sea bass with squid, and crusted venison with morels and bacon

    Best cocktail: The Kaleidoscopicโ€”a reposado tequila Old-Fashioned with cacao, Calvados and chile

    Reservations: Strongly recommended for the main dining room. The Bar Room offers a more relaxed and less expensive introduction to The Modern.

    Best for: Special occasions, Michelin-starred dining and visitors who want a memorable meal beside MoMAโ€™s sculpture garden

    My verdict: The Modern delivers precise cooking, impeccable service and enough playful moments to keep its formal dining room from feeling like a museum exhibit.

    Date visited: July 2026

    What to Expect at The Modern NYC

    The plaques outside The Modern do not leave much room for a casual entrance. Two Michelin stars are displayed before you sit down, and the message is clear: this is supposed to be serious food.

    Inside, the mood softens. The dining room overlooks MoMAโ€™s Abby Aldrich Rockefeller Sculpture Garden, and Chef Thomas Allanโ€™s cooking follows the same tension as the settingโ€”clean and controlled, but never cold. The meal I photographed was meticulous without feeling trapped by its own prestige.

    Inside The Modern NYC Tasting Menu

    The tasting began with two compact bites: a smoked salmon tartlet and tuna with celery. From there came lobster with shiso and radish, presented on long black spoons over crushed ice. The menu names were spare, but the plates carried several textures and temperatures at once.

    Then came โ€œeggs on eggs on eggs,โ€ and I immediately understood why it is one of The Modernโ€™s signature dishes. It arrived in a smooth, white, egg-shaped porcelain vessel with a crisp brioche โ€œsoldierโ€ beside it. The presentation was so clean and sculptural that I almost did not want to disturb it. Almost. This is a dish you have to break into, stir together and scoop up, and that is where the fun begins.

    Inside was fried-egg sauce, a poached henโ€™s egg, Schrenckii caviar, dill oil and pickled shallots. The name sounds playful, but the cooking was serious. The egg was rich and creamy, the caviar added salt and that delicate pop, and the pickled shallots cut through everything at exactly the right moment. The brioche brought the crunch and made sure none of the sauce was left behind. It was luxurious without being ridiculousโ€”although โ€œeggs on eggs on eggsโ€ is still a wonderfully ridiculous name.

    What I loved most was that the dish came from something so simple. Chef Thomas Allan based it on egg and soldiers, the childhood breakfast he ate growing up in Sarnia, Ontario. The Modern turns that memory into a two-Michelin-starred caviar course, but the basic pleasure has not changed: break the egg, dip the toast and get every last bit. That connection between comfort food and fine dining made the course feel personal instead of showy.

    The Modern NYC Review: Precision from chef to server

    The Modern is a restaurant of precision, from the chef in the kitchen to the server standing at the table. Before the meal even got going, I watched a staff member iron a tablecloth right on the tableโ€”I have the video to prove it. My server knew every dish inside and out. She could explain the ingredients, the technique and how each course fit into the menu, but it never sounded memorized. You could tell she took real pride in her job. That kind of knowledge changes the meal: it makes the service feel like part of the cooking rather than something happening around it.

    This is exactly what I would expect from Danny Meyerโ€™s Union Square Hospitality Group. I have eaten my way through that family tree: Union Square Cafe, Gramercy Tavern, Shake Shack and Eleven Madison Park, which Meyer opened under USHG before selling it in 2011. Each restaurant has its own personality, but the same hospitality DNA runs through them. The range is the pointโ€”from a burger eaten outside in Madison Square Park to a tasting menu overlooking MoMAโ€™s sculpture garden. The Modern is the museum version of that idea: more polished, more formal and more ceremonial.

    I even met Danny Meyer at the New York City Wine & Food Festivalโ€™s Burger Bash during Shake Shackโ€™s early expansion years. I remembered it as the period when Shake Shack was first opening, but the records point most strongly to 2010: Shake Shack won the judgesโ€™ choice that year, while Bobby Flay won the peopleโ€™s choice. The original Madison Square Park kiosk had opened in 2004, but in 2010 Shake Shack was just beginning to grow beyond its early New York footprint. That makes the memory feel even better now. I met Meyer when the little park burger stand was starting to become something much bigger, and the same idea was already there: take the food seriously, make people feel welcome and never confuse formality with hospitality.

    It also drew a line for me between dining downtown and uptown. Downtown can be laid-back, relaxed and fun while still taking the food completely seriously. Uptown, depending on the room, everything can become seriousโ€”the food, the service, the tablecloth and even the way people speak. The Modern runs right along that edge. It has become a fine-dining temple, and it has the screen presence to match: this is where Carrie tells Charlotte and Miranda she is marrying Big in the first Sex and the City movie. The restaurant can feel almost reverential, but the flavor, the pride of the staff and flashes of humor keep it from becoming a museum piece. It is in a museum, after all.

    Truffle Risotto and Tableside Theater

    The most memorable service moment belonged to the black truffle risotto, offered as a $50 supplement in place of dry-aged duck with mango and peanuts. A wooden truffle box arrived complete with its own gauge and a small metal slicer. The lid opened like a jewelry case, revealing dark, knobbly truffles. It was pure restaurant theater, but it also made the ingredient feel tangible before it reached the plate.

    That sense of play kept the meal from becoming stiff. My drink was the Kaleidoscopic: a Reposado Tequila Old-Fashioned with Cacao, Calvados and Chile. It arrived with a thin piece of chocolate painted like abstract art across the rimโ€”an edible garnish that looked at home beside MoMA. It was amazing: the kind of cocktail that could hold its own beside the food. A smooth, egg-shaped vessel appeared at the table with no immediate explanation. The Modern clearly understands that anticipation is an ingredient too.

    The Best Dishes at The Modern

    As the meal progressed, the flavors deepened. Sea bass and squid arrived with the fishโ€™s skin rendered into a crisp, burnished sheet, set in a savory broth edged with green oil. The menu then moved through dry-aged duck with mango and peanutsโ€”or the truffle-risotto supplementโ€”and crusted venison with morels and bacon. The plating stayed restrained, but the food became warmer, darker and more grounded.

    Dessert brought the focus back to flavor. The rhubarb and champagne was bright, tart and exact, with enough acidity to wake everything up after the heavier savory courses. Dark chocolate followed with deeper, richer flavors and the same level of control. Both plates were beautiful, but they were not just there to be admiredโ€”the flavors earned the presentation.

    About that spoon

    Fine dining is full of objects that make you wonder whether you are holding them correctly. At the end of the meal, I looked down at one of the spoons and realized it resembled my landscaperโ€™s shovel. After paying fine-dining money, the comparison was impossible to ignore.

    It was ridiculous. It was also amazing.

    That is probably the best summary of the night. The precision was undeniable and the flavors delivered, but the experience ran right along the edge of stuffy. Imagine putting a fine-dining restaurant inside a library: quiet, polished and so controlled that everyone instinctively lowers their voice. Then remember that The Modern is actually inside a museum. Oh waitโ€”of course the food looks like art. What saves it from becoming too precious are the moments that break the formality: the truffle box, the sculptural cocktail and, yes, the shovel spoon.

    The Modern NYC Review: Is It Worth It?

    The Modern is not simply a parade of expensive ingredients. It is a carefully paced experience built on contrastโ€”cool and warm, crisp and soft, elegant and playful. The room may sit beside a museum, but the food does not feel like something you are only meant to admire from a distance.

    It invites attention, then rewards it. And by the time the final plate is cleared, the meal feels less like a checklist of courses than a collection of small, sharply composed memories.

    Absolutelyโ€”I would go back. The Modern is what a Michelin-starred restaurant should be. Yes, it can feel a little uptight and stuffy, but this is fine dining inside one of New York Cityโ€™s most famous and prestigious museums. A certain level of seriousness comes with the territory.

    The food was precise, the service was impeccable, and every detailโ€”from the cooking to the specialized flatwareโ€”felt intentional. The Modern should be a stop on any high-end foodieโ€™s trip to New York City.

    If the full tasting menu feels like too much, visit the Bar Room for a more relaxed introduction. And if you have already experienced the main dining room, return to the bar for Simon Kimโ€™s fried chicken or the hot dog topped with caviar. Pair it with the tequila-and-mezcal Old-Fashioned, which was one of the best Old-Fashioneds I have ever had.

    Whether it is for the full tasting menu or a more relaxed night at the bar, I will be back.

    Tuna and celery tartlets served as an opening course at The Modern restaurant inside MoMA in New York City.The Modern NYC Review featuring the lobster, shiso and radish course presented on spoons over crushed ice. Photo by Richard JarockiThe Modern NYC Review showing the closed ceramic egg presentation before the Eggs on Eggs on Eggs course is revealed.The Modern NYC Review featuring the revealed Eggs on Eggs on Eggs course with caviar, egg yolk, pickled onions, herbs and crisp toast.The Modern NYC Review featuring crisp-skinned sea bass and squid served in broth with bright green herb oil.
    Tuna and celery tartlets served as an opening course at The Modern restaurant inside MoMA in New York City.The Modern NYC Review featuring the lobster, shiso and radish course presented on spoons over crushed ice. Photo by Richard JarockiThe Modern NYC Review showing the closed ceramic egg presentation before the Eggs on Eggs on Eggs course is revealed.The Modern NYC Review featuring the revealed Eggs on Eggs on Eggs course with caviar, egg yolk, pickled onions, herbs and crisp toast.The Modern NYC Review featuring crisp-skinned sea bass and squid served in broth with bright green herb oil.
    Tuna and celery tartlets served as an opening course at The Modern restaurant inside MoMA in New York City.The Modern NYC Review featuring the lobster, shiso and radish course presented on spoons over crushed ice. Photo by Richard JarockiThe Modern NYC Review showing the closed ceramic egg presentation before the Eggs on Eggs on Eggs course is revealed.The Modern NYC Review featuring the revealed Eggs on Eggs on Eggs course with caviar, egg yolk, pickled onions, herbs and crisp toast.The Modern NYC Review featuring crisp-skinned sea bass and squid served in broth with bright green herb oil.
    Tuna and celery tartlets served as an opening course at The Modern restaurant inside MoMA in New York City.The Modern NYC Review featuring the lobster, shiso and radish course presented on spoons over crushed ice. Photo by Richard JarockiThe Modern NYC Review showing the closed ceramic egg presentation before the Eggs on Eggs on Eggs course is revealed.The Modern NYC Review featuring the revealed Eggs on Eggs on Eggs course with caviar, egg yolk, pickled onions, herbs and crisp toast.The Modern NYC Review featuring crisp-skinned sea bass and squid served in broth with bright green herb oil.
    Tuna and celery tartlets served as an opening course at The Modern restaurant inside MoMA in New York City.The Modern NYC Review featuring the lobster, shiso and radish course presented on spoons over crushed ice. Photo by Richard JarockiThe Modern NYC Review showing the closed ceramic egg presentation before the Eggs on Eggs on Eggs course is revealed.The Modern NYC Review featuring the revealed Eggs on Eggs on Eggs course with caviar, egg yolk, pickled onions, herbs and crisp toast.The Modern NYC Review featuring crisp-skinned sea bass and squid served in broth with bright green herb oil.
    Tuna and celery tartlets served as an opening course at The Modern restaurant inside MoMA in New York City.The Modern NYC Review featuring the lobster, shiso and radish course presented on spoons over crushed ice. Photo by Richard JarockiThe Modern NYC Review showing the closed ceramic egg presentation before the Eggs on Eggs on Eggs course is revealed.The Modern NYC Review featuring the revealed Eggs on Eggs on Eggs course with caviar, egg yolk, pickled onions, herbs and crisp toast.The Modern NYC Review featuring crisp-skinned sea bass and squid served in broth with bright green herb oil.
    The Modern NYC Review showing a server presenting whole black truffles tableside in a wooden display box.The Modern NYC Review featuring a Kaleidoscopic reposado tequila Old-Fashioned with cacao, Calvados, chile and an abstract chocolate card.The Modern NYC Review featuring dry-aged duck with mango and peanuts from The Modern tasting menu.The Modern NYC Review featuring lobster wrapped with translucent radish and shiso, served with yellow sauce.The Modern NYC Review featuring crusted venison with morels, bacon, glazed vegetables and a rich sauce.The Modern NYC Review showing a seeded bread loaf and sculpted butter served on white table linens.
    The Modern NYC Review showing a server presenting whole black truffles tableside in a wooden display box.The Modern NYC Review featuring a Kaleidoscopic reposado tequila Old-Fashioned with cacao, Calvados, chile and an abstract chocolate card.The Modern NYC Review featuring dry-aged duck with mango and peanuts from The Modern tasting menu.The Modern NYC Review featuring lobster wrapped with translucent radish and shiso, served with yellow sauce.The Modern NYC Review featuring crusted venison with morels, bacon, glazed vegetables and a rich sauce.The Modern NYC Review showing a seeded bread loaf and sculpted butter served on white table linens.
    The Modern NYC Review showing a server presenting whole black truffles tableside in a wooden display box.The Modern NYC Review featuring a Kaleidoscopic reposado tequila Old-Fashioned with cacao, Calvados, chile and an abstract chocolate card.The Modern NYC Review featuring dry-aged duck with mango and peanuts from The Modern tasting menu.The Modern NYC Review featuring lobster wrapped with translucent radish and shiso, served with yellow sauce.The Modern NYC Review featuring crusted venison with morels, bacon, glazed vegetables and a rich sauce.The Modern NYC Review showing a seeded bread loaf and sculpted butter served on white table linens.
    The Modern NYC Review showing a server presenting whole black truffles tableside in a wooden display box.The Modern NYC Review featuring a Kaleidoscopic reposado tequila Old-Fashioned with cacao, Calvados, chile and an abstract chocolate card.The Modern NYC Review featuring dry-aged duck with mango and peanuts from The Modern tasting menu.The Modern NYC Review featuring lobster wrapped with translucent radish and shiso, served with yellow sauce.The Modern NYC Review featuring crusted venison with morels, bacon, glazed vegetables and a rich sauce.The Modern NYC Review showing a seeded bread loaf and sculpted butter served on white table linens.
    The Modern NYC Review showing a server presenting whole black truffles tableside in a wooden display box.The Modern NYC Review featuring a Kaleidoscopic reposado tequila Old-Fashioned with cacao, Calvados, chile and an abstract chocolate card.The Modern NYC Review featuring dry-aged duck with mango and peanuts from The Modern tasting menu.The Modern NYC Review featuring lobster wrapped with translucent radish and shiso, served with yellow sauce.The Modern NYC Review featuring crusted venison with morels, bacon, glazed vegetables and a rich sauce.The Modern NYC Review showing a seeded bread loaf and sculpted butter served on white table linens.
    The Modern NYC Review showing a server presenting whole black truffles tableside in a wooden display box.The Modern NYC Review featuring a Kaleidoscopic reposado tequila Old-Fashioned with cacao, Calvados, chile and an abstract chocolate card.The Modern NYC Review featuring dry-aged duck with mango and peanuts from The Modern tasting menu.The Modern NYC Review featuring lobster wrapped with translucent radish and shiso, served with yellow sauce.The Modern NYC Review featuring crusted venison with morels, bacon, glazed vegetables and a rich sauce.The Modern NYC Review showing a seeded bread loaf and sculpted butter served on white table linens.
    The Modern NYC Review featuring a rhubarb and champagne dessert with pale green sorbet and jewel-toned rhubarb.The Modern NYC Review featuring a dark chocolate tart with cream, chocolate shards and glossy jewel-toned fruit.The Modern NYC Review featuring an assortment of colorful petits fours served at the end of the tasting menu.A distinctive flat sauce spoon set on the white tablecloth during dinner for The Modern NYC Review.Modern NYC Review showing the restaurantโ€™s two-star Michelin plaque for 2025 and Relais & Chรขteaux recognition.Illuminated MoMA sign outside the museum near The Modern restaurant in Midtown Manhattan.The Modern NYC Review showing the restaurantโ€™s Midtown location beside MoMA on a nighttime Manhattan street.The Modern NYC Review showing the illuminated restaurant and Bar Room menus displayed at the entrance.
    The Modern NYC Review featuring a rhubarb and champagne dessert with pale green sorbet and jewel-toned rhubarb.The Modern NYC Review featuring a dark chocolate tart with cream, chocolate shards and glossy jewel-toned fruit.The Modern NYC Review featuring an assortment of colorful petits fours served at the end of the tasting menu.A distinctive flat sauce spoon set on the white tablecloth during dinner for The Modern NYC Review.Modern NYC Review showing the restaurantโ€™s two-star Michelin plaque for 2025 and Relais & Chรขteaux recognition.Illuminated MoMA sign outside the museum near The Modern restaurant in Midtown Manhattan.The Modern NYC Review showing the restaurantโ€™s Midtown location beside MoMA on a nighttime Manhattan street.The Modern NYC Review showing the illuminated restaurant and Bar Room menus displayed at the entrance.
    The Modern NYC Review featuring a rhubarb and champagne dessert with pale green sorbet and jewel-toned rhubarb.The Modern NYC Review featuring a dark chocolate tart with cream, chocolate shards and glossy jewel-toned fruit.The Modern NYC Review featuring an assortment of colorful petits fours served at the end of the tasting menu.A distinctive flat sauce spoon set on the white tablecloth during dinner for The Modern NYC Review.Modern NYC Review showing the restaurantโ€™s two-star Michelin plaque for 2025 and Relais & Chรขteaux recognition.Illuminated MoMA sign outside the museum near The Modern restaurant in Midtown Manhattan.The Modern NYC Review showing the restaurantโ€™s Midtown location beside MoMA on a nighttime Manhattan street.The Modern NYC Review showing the illuminated restaurant and Bar Room menus displayed at the entrance.
    The Modern NYC Review featuring a rhubarb and champagne dessert with pale green sorbet and jewel-toned rhubarb.The Modern NYC Review featuring a dark chocolate tart with cream, chocolate shards and glossy jewel-toned fruit.The Modern NYC Review featuring an assortment of colorful petits fours served at the end of the tasting menu.A distinctive flat sauce spoon set on the white tablecloth during dinner for The Modern NYC Review.Modern NYC Review showing the restaurantโ€™s two-star Michelin plaque for 2025 and Relais & Chรขteaux recognition.Illuminated MoMA sign outside the museum near The Modern restaurant in Midtown Manhattan.The Modern NYC Review showing the restaurantโ€™s Midtown location beside MoMA on a nighttime Manhattan street.The Modern NYC Review showing the illuminated restaurant and Bar Room menus displayed at the entrance.
    The Modern NYC Review featuring a rhubarb and champagne dessert with pale green sorbet and jewel-toned rhubarb.The Modern NYC Review featuring a dark chocolate tart with cream, chocolate shards and glossy jewel-toned fruit.The Modern NYC Review featuring an assortment of colorful petits fours served at the end of the tasting menu.A distinctive flat sauce spoon set on the white tablecloth during dinner for The Modern NYC Review.Modern NYC Review showing the restaurantโ€™s two-star Michelin plaque for 2025 and Relais & Chรขteaux recognition.Illuminated MoMA sign outside the museum near The Modern restaurant in Midtown Manhattan.The Modern NYC Review showing the restaurantโ€™s Midtown location beside MoMA on a nighttime Manhattan street.The Modern NYC Review showing the illuminated restaurant and Bar Room menus displayed at the entrance.
    The Modern NYC Review featuring a rhubarb and champagne dessert with pale green sorbet and jewel-toned rhubarb.The Modern NYC Review featuring a dark chocolate tart with cream, chocolate shards and glossy jewel-toned fruit.The Modern NYC Review featuring an assortment of colorful petits fours served at the end of the tasting menu.A distinctive flat sauce spoon set on the white tablecloth during dinner for The Modern NYC Review.Modern NYC Review showing the restaurantโ€™s two-star Michelin plaque for 2025 and Relais & Chรขteaux recognition.Illuminated MoMA sign outside the museum near The Modern restaurant in Midtown Manhattan.The Modern NYC Review showing the restaurantโ€™s Midtown location beside MoMA on a nighttime Manhattan street.The Modern NYC Review showing the illuminated restaurant and Bar Room menus displayed at the entrance.

    Videos From The Modern NYC

    A server finishes The Modernโ€™s sea bass and squid course by pouring the sauce tableside.
    At The Modern, precision extends beyond the plateโ€”even the tablecloth is ironed before service.
    A server finishes The Modernโ€™s dry-aged duck by pouring the sauce tableside.
    A server shaves fresh black truffle over the risotto tableside at The Modern.

    Frequently Asked Questions About The Modern NYC

    Is The Modern NYC worth it?

    The Modern is worth it for diners who appreciate precise cooking, polished service and a formal Michelin-starred experience. The price makes it a special-occasion restaurant, but the tasting menu, tableside presentations and sculpture-garden setting create an experience that goes beyond dinner. If you prefer something less formal, try the Bar Room.

    How much does dinner at The Modern NYC cost?

    During my visit, The Modernโ€™s tasting menu cost $275 per person. The Discovery wine pairing was $195, the Reserve pairing was $350, and the black-truffle risotto supplement was $50. Menus and prices change, so confirm the current cost before booking.

    What should you order at The Modern?

    Eggs on Eggs on Eggs was the signature course and one of the clearest expressions of the restaurantโ€™s style: luxurious, precise and playful. The black-truffle risotto was another standout, while the Kaleidoscopic tequila Old-Fashioned was one of the best cocktails of the evening.

    Is The Modern restaurant inside MoMA?

    The Modern is located at 9 West 53rd Street beside the Museum of Modern Art. Its main dining room overlooks MoMAโ€™s Abby Aldrich Rockefeller Sculpture Garden, making the museum setting an important part of the experience.

    The Modern NYC Prices, Reservations and Location

    This The Modern NYC review covers the $275 tasting menu, two-Michelin-star cooking, Eggs on Eggs on Eggs, cocktails, service, the Bar Room and whether dining beside MoMA is worth the price.; the menu listed a $195 Discovery pairing and a $350 Reserve pairing.

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    Reservations

    The Modern Website

    Sources

    The Modern official site

    The Modernโ€™s Michelin Guide listing

    โ€œEggs on Eggs on Eggsโ€ ingredients

    Chef Thomas Allanโ€™s egg-and-soldiers inspiration

    Danny Meyer and Union Square Hospitality Group

    The Modern in Sex and the City

    Shake Shackโ€™s origin story

    Shake Shackโ€™s 2010 NYCWFF Burger Bash win

    Eleven Madison Parkโ€™s Danny Meyer-era history

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